You wouldn't believe how often I see students playing piano while using extremely awkward fingering, and I'm sure that this is something which interests beginners and intermediate players alike.
Even though you may not think so, this is in fact a controversial topic.
There are people who strongly believe in proper fingering for piano pieces. There are also those who are firm believers in free-style fingering.
Let me share with you my own perspective on this topic
Though the length of fingers differ from person to person, we all have thumbs that are shorter than the rest of our fingers.
Also, the thumb is usually the most powerful finger we have, followed by the index finger and middle finger, and it's these three figures which are the most used when it comes to playing piano.
Here are some tips concerning fingering which you should certainly consider:
1. The thumb should never be used for playing a black key. The only exception to this rule is when you: a) Play a musical piece which only has black notes. b) When you play a piece where they are black and white keys.
Thumbs are not meant to be used for black key because of its length.The most used fingers for black notes are the 2nd and the 3rd fingers. If you are playing certain scales that start with a black key such as Bb major, Eb major, Ab major, etc. You will use 2nd or 3rd finger to play the first scale note instead of the thumb.
2. When playing melody with the right hand, if there are keys that are out of reach, you may move the hand to play the note. If the key is only a couple steps down from the thumb, you may use the thumb as an anchor and cross the second finger over to reach the note on the left side of the thumb. You do not need to move the hand. Only move the second finger over.
You'll notice that as soon as the second finger has played the key, the thumb will automatically follow across to play the next note to the left of the key. The best way to familiarize yourself with regards to what finger should follow, is to practice the scale regularly.
3. Identical rule applies to the left hand.
4. You should always make a point of trying to watch experienced players so that you can look at their fingering, and then you should try to imitate them. My personal advice would be for you to watch those who have experienced at playing classical music, simply because they've probably spent many years perfecting the different repertoires.
One important point: The function of good fingering is to ensure smoothness of musical passages.
When playing the work of Bach and that of other similar composers, this becomes especially important, in that disruptions can occur when there is even a slight change in fingering structure. Of course, if you're only playing improvisational and accompaniment pieces then there's less need for strict fingering. When I play improvisational pieces my fingering usually changes in line with my mood and the rhythm.
You'll also notice a change of fingering if you look at musical pieces which have been edited by different editors. For example, you'll notice that fingering suggestions for the "Sonatina" piece composed by Clementi, can vary quite dramatically depending on the different editors.
In conclusion: if you are improvising, pay less attention to which finger you are using. As long as you abide by the above rules and ensure a smooth flow of musical passage, you are fine.
If you get too critical about fingering, it distracts your musical thoughts and flow. After all, it is music that you are conveying. Piano playing gets rather complicated when you are trying to balance both hands, keep a steady tempo (rhythm), make sure the pedals are going in at the right time, listening to the music, - 31814
Even though you may not think so, this is in fact a controversial topic.
There are people who strongly believe in proper fingering for piano pieces. There are also those who are firm believers in free-style fingering.
Let me share with you my own perspective on this topic
Though the length of fingers differ from person to person, we all have thumbs that are shorter than the rest of our fingers.
Also, the thumb is usually the most powerful finger we have, followed by the index finger and middle finger, and it's these three figures which are the most used when it comes to playing piano.
Here are some tips concerning fingering which you should certainly consider:
1. The thumb should never be used for playing a black key. The only exception to this rule is when you: a) Play a musical piece which only has black notes. b) When you play a piece where they are black and white keys.
Thumbs are not meant to be used for black key because of its length.The most used fingers for black notes are the 2nd and the 3rd fingers. If you are playing certain scales that start with a black key such as Bb major, Eb major, Ab major, etc. You will use 2nd or 3rd finger to play the first scale note instead of the thumb.
2. When playing melody with the right hand, if there are keys that are out of reach, you may move the hand to play the note. If the key is only a couple steps down from the thumb, you may use the thumb as an anchor and cross the second finger over to reach the note on the left side of the thumb. You do not need to move the hand. Only move the second finger over.
You'll notice that as soon as the second finger has played the key, the thumb will automatically follow across to play the next note to the left of the key. The best way to familiarize yourself with regards to what finger should follow, is to practice the scale regularly.
3. Identical rule applies to the left hand.
4. You should always make a point of trying to watch experienced players so that you can look at their fingering, and then you should try to imitate them. My personal advice would be for you to watch those who have experienced at playing classical music, simply because they've probably spent many years perfecting the different repertoires.
One important point: The function of good fingering is to ensure smoothness of musical passages.
When playing the work of Bach and that of other similar composers, this becomes especially important, in that disruptions can occur when there is even a slight change in fingering structure. Of course, if you're only playing improvisational and accompaniment pieces then there's less need for strict fingering. When I play improvisational pieces my fingering usually changes in line with my mood and the rhythm.
You'll also notice a change of fingering if you look at musical pieces which have been edited by different editors. For example, you'll notice that fingering suggestions for the "Sonatina" piece composed by Clementi, can vary quite dramatically depending on the different editors.
In conclusion: if you are improvising, pay less attention to which finger you are using. As long as you abide by the above rules and ensure a smooth flow of musical passage, you are fine.
If you get too critical about fingering, it distracts your musical thoughts and flow. After all, it is music that you are conveying. Piano playing gets rather complicated when you are trying to balance both hands, keep a steady tempo (rhythm), make sure the pedals are going in at the right time, listening to the music, - 31814
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